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Weekly Parashah |
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| Torah: Lev. 12:1–13:59 | Haftara: 2 kings 4:42-5:19 | Brith Chadashah: John 6:8-13 Matt. 8:1-4 Luke 2:22-35 |
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| Tazria (She Conceives) תַזְרִיעַ |
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Scripture: |
Lev. 12:1–13:59 |
Torah |
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Niddah Rest for New Mothers12 Then Adonai spoke to Moses saying: 2 “Speak to Bnei-Yisrael, instructing: If a woman conceives and bears a male child, then she will be unclean for seven days, as in the days of her niddah she will be unclean. 3 In the eighth day the flesh of his foreskin is to be circumcised. [a] 4 She must wait during the blood of purification for 33 days.[b] She is not to touch any holy thing, nor come into the Sanctuary, until the days of her purifying are completed. 5 But if she bears a female child, then she will be unclean for two weeks, as in her niddah, and she is to wait in the blood of purification for 66 days. 6 “When the days of her purification are completed for a son or for a daughter, she is to bring to the kohen, at the entrance of the Tent of Meeting, a year old lamb for a burnt offering and a young pigeon or a turtledove, for a sin offering. 7 He is to present it before Adonai and make atonement for her. Then she will be cleansed from the discharge of her blood. This is the Torah for her who gives birth, whether to a male or a female child. 8 If she cannot afford a lamb, then she is to bring two turtledoves or two young pigeons,[c] one for a burnt offering and the other for a sin offering. Then the kohen will make atonement for her, and she will be clean.”
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Scripture: |
2 Kings 4 : 42 – 5 : 19
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Haftarah |
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42 Now a man came from Baal-shalishah, and brought the man of God bread of the firstfruits—20 loaves of barley bread and fresh ears of corn in his sack. Then he said, “Give them to the people that they may eat.” 43 But his attendant said, “What? Will I set this before a hundred men?” But he said, “Give them to the people that they may eat, for thus says Adonai, ‘They will eat and will have left over.’” 44 So he set it before them, and they ate and had some left over, according to the word of Adonai. 5 Now Naaman, commander of the army of the king of Aram, was a great man in his master’s sight and highly esteemed, because through him Adonai had given victory to Aram. Though the man was a mighty man of valor, he had tza’arat. 2 Aram had gone out in bands, and had taken captive a young girl from the land of Israel. So she served Naaman’s wife. 3 Then she said to her mistress, “If only my lord went before the prophet who is in Samaria! Then he would cure him of his tza’arat.” 4 So Naaman went in and told his master, saying, “Thus and thus spoke the girl who is from the land of Israel.” 5 The king of Aram said, “Go now, and I will send a letter to the king of Israel.” So he departed and took with him ten talents of silver, 6,000 pieces of gold, and ten changes of clothes. 6 He brought the letter to the king of Israel saying, “When this letter comes to you, behold, I have sent my servant Naaman to you, so you may cure him of his tza’arat.” 7 Now when the king of Israel read the letter, he ripped his clothes and said, “Am I God, to kill and to make alive, that this man is sending to me to cure a man of his tza’arat? But please consider, and see how he is seeking a pretext against me.”
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Scripture: |
John 6:8-13 |
Brit Chadashah |
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John 6 : 8 – 138 One of His disciples, Andrew, Simon Peter’s brother, said to Him, 9 “There’s a boy here who has five barley loaves and two fish—but what’s that for so many?” 10 Yeshua said, “Make the people recline.” There was much grass in the area. So the men reclined, about five thousand in number. 11 Then Yeshua picked up the loaves. And having given thanks, He distributed bread to everyone who was reclining. He did the same with the fish, as much as they wanted. 12 When the people were full, Yeshua said to His disciples, “Gather up the leftovers, so nothing is wasted.” 13 So they gathered them and filled twelve baskets with broken pieces from the five barley loaves, which were left over by those who had finished eating. https://www.biblegateway.com/passage/?search=John+6%3A8-13&version=TLV
Matthew 8 : 1 – 4Healing Those who Trust8 When He came down from the mountain, large crowds followed Him. 2 And a man with tzara’at came to Him and bowed down before Him, saying, “Master, if You are willing, You can make me clean.” 3 Yeshua stretched out His hand and touched him, saying, “I am willing. Be cleansed.” Immediately his tzara’at was cleansed. 4 And Yeshua said to him, “See that you tell no one; but go show yourself to the kohen and offer the gift that Moses commanded, as a testimony to them.”[a] https://www.biblegateway.com/passage/?search=Matt.+8%3A1-4&version=TLV
Luke 2 : 22 – 3522 And when the days of their purification were fulfilled,[a] according to the Torah of Moses, they brought Him to Jerusalem to present to Adonai. 23 As it is written in the Torah of Adonai, “Every firstborn male that opens the womb shall be called holy to Adonai.” [b] 24 So they offered a sacrifice according to what was said in the Torah of Adonai: “a pair of turtle doves, or two young pigeons.”[c] 25 Now there was a man in Jerusalem whose name was Simeon, and this man was just and pious, waiting for the consolation of Israel.[d] The Ruach ha-Kodesh was on him. 26 And it had been revealed to him by the Ruach ha-Kodesh that he would not die before he had seen the Anointed One of Adonai. 27 So in the Ruach, Simeon came into the Temple; and when the parents brought the Child Yeshua to do for Him according to the custom of the Torah, 28 Simeon received Him into his arms and offered a bracha to God, saying, 29 “Now may You let Your servant go in peace, O Sovereign Master,[e] https://www.biblegateway.com/passage/?search=Luke+2%3A22-35&version=TLV |
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Parashah in 60 seconds |
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Music Styles Contemporary Worship Music
Styles
On this radio station you will find the following music styles;
Contemporary Worship Music (CWM) (Praise and Worship Music)
Contemporary worship music (CWM) is a loosely defined genre of Christian music used in contemporary worship. It has developed over the past sixty years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It is becoming a common genre of music sung in Western churches, particularly in Pentecostal churches, both denominational and nondenominational. Also many non-Charismatic Protestant Churches use this type of music. Some do so exclusively. Others have services that are just traditional along with services that are just contemporary. Others simply mix this type of music in with traditional. Some Protestant churches avoid this music and remain traditional. Also, Roman Catholic churches are using this type of music in some parishes. Some mix it in with more traditional music; others have certain masses with just contemporary worship music along with traditional masses; others only use contemporary; many others steer clear of contemporary worship and stick with traditional.
History and development
In the early 1950s, the Taizé Community in France started to attract youths from several religious denominations with worship hymns based on modern melodies.
In the 1950s and 1960s the Christian Church began to place particular emphasis on reaching to the youth. Christian Unions in university environments hosted evangelistic talks and provided biblical teaching for their members, Christian cafes opened with evangelistic aims, and church youth groups were set up. Amateur musicians from these groups began playing Christian music in a popular idiom. Some Christians felt that the Church needed to break from its stereotype as being structured, formal and dull to appeal to the younger generation. By borrowing the conventions of popular music, the antithesis of this stereotype, the Church restated the claims of the Bible through Christian lyrics, and thus sent the message that Christianity was not outdated or irrelevant. The Joystrings were one of the first Christian pop groups to appear on television, in Salvation Army uniform, playing Christian beat music. The Jesus People in America also had particular influence, and began to create their own musical subculture, sometimes referred to as Jesus music— essentially hippie-style music with biblical lyrics. This Jesus music gradually bifurcated into Christian rock (music played for concerts) and 'praise music' (music for communal worship).
Churches began to adopt some of these songs and the styles for corporate worship. These early songs for communal singing were arguably the first examples of contemporary worship music, and were characteristically simple, 'Youth Praise', published in 1966, was one of the first and most famous collections of these songs and was compiled and edited by Michael Baughen and published by the Jubilate Group.
As of the early 1990s, songs such as "Lord, I Lift Your Name on High", "Shine, Jesus, Shine" and "Shout to the Lord" had been accepted in many churches. Integrity Media, Maranatha! Music and Vineyard were already publishing newer styles of music. Supporters of traditional worship hoped the newer styles were a fad, while younger people cited Psalms 96:1, "Sing to the Lord a new song". Prior to the late 1990s, many felt Sunday morning was a time for hymns, and young people could have their music on the other six days. A "modern worship renaissance" helped make it clear any musical style was acceptable if true believers were using it to praise God. The changes resulted from the Cutting Edge recordings by the band Delirious?, the Passion Conferences and their music, the Exodus project of Michael W. Smith, and the band Sonicflood. Contemporary worship music became an integral part of Contemporary Christian music.[1]
More recently songs are displayed using projectors on screens at the front of the church, and this has enabled greater physical freedom, and a faster rate of turnover in the material being sung. Important propagators of CWM today include Hillsong, Vineyard, Bethel Music and Soul Survivor.
Theology and lyrics
As CWM is closely related to the charismatic movement, the lyrics and even some musical features reflect its theology. In particular the charismatic movement is characterised by its emphasis on the Holy Spirit, personal encounter and relationship with God, and agape.
