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Parashah - Tazria (She Conceives)

Weekly Parashah


Torah: Lev. 12:1–13:59 Haftara: 2 kings 4:42-5:19  Brith Chadashah: John 6:8-13
Matt. 8:1-4
Luke 2:22-35

Tazria (She Conceives) תַזְרִיעַ

Scripture: 

 Lev. 12:1–13:59

Torah

 

Niddah Rest for New Mothers

12 Then Adonai spoke to Moses saying: 2 “Speak to Bnei-Yisrael, instructing: If a woman conceives and bears a male child, then she will be unclean for seven days, as in the days of her niddah she will be unclean. 3 In the eighth day the flesh of his foreskin is to be circumcised. [a] 4 She must wait during the blood of purification for 33 days.[b] She is not to touch any holy thing, nor come into the Sanctuary, until the days of her purifying are completed. 5 But if she bears a female child, then she will be unclean for two weeks, as in her niddah, and she is to wait in the blood of purification for 66 days.

6 “When the days of her purification are completed for a son or for a daughter, she is to bring to the kohen, at the entrance of the Tent of Meeting, a year old lamb for a burnt offering and a young pigeon or a turtledove, for a sin offering. 7 He is to present it before Adonai and make atonement for her. Then she will be cleansed from the discharge of her blood. This is the Torah for her who gives birth, whether to a male or a female child. 8 If she cannot afford a lamb, then she is to bring two turtledoves or two young pigeons,[c] one for a burnt offering and the other for a sin offering. Then the kohen will make atonement for her, and she will be clean.”

 

Scripture: 

 2 Kings 4 : 42 – 5 : 19

Haftarah

42 Now a man came from Baal-shalishah, and brought the man of God bread of the firstfruits—20 loaves of barley bread and fresh ears of corn in his sack. Then he said, “Give them to the people that they may eat.”

43 But his attendant said, “What? Will I set this before a hundred men?” But he said, “Give them to the people that they may eat, for thus says Adonai, ‘They will eat and will have left over.’” 44 So he set it before them, and they ate and had some left over, according to the word of Adonai.
Naaman’s Tza’arat

5 Now Naaman, commander of the army of the king of Aram, was a great man in his master’s sight and highly esteemed, because through him Adonai had given victory to Aram. Though the man was a mighty man of valor, he had tza’arat.

2 Aram had gone out in bands, and had taken captive a young girl from the land of Israel. So she served Naaman’s wife. 3 Then she said to her mistress, “If only my lord went before the prophet who is in Samaria! Then he would cure him of his tza’arat.”

4 So Naaman went in and told his master, saying, “Thus and thus spoke the girl who is from the land of Israel.” 5 The king of Aram said, “Go now, and I will send a letter to the king of Israel.” So he departed and took with him ten talents of silver, 6,000 pieces of gold, and ten changes of clothes.

6 He brought the letter to the king of Israel saying, “When this letter comes to you, behold, I have sent my servant Naaman to you, so you may cure him of his tza’arat.”

7 Now when the king of Israel read the letter, he ripped his clothes and said, “Am I God, to kill and to make alive, that this man is sending to me to cure a man of his tza’arat? But please consider, and see how he is seeking a pretext against me.”

 


 

Scripture: 

 

John 6:8-13
Matt. 8:1-4
Luke 2:22-35

 

Brit Chadashah

 

John 6 : 8 – 13

8 One of His disciples, Andrew, Simon Peter’s brother, said to Him, 9 “There’s a boy here who has five barley loaves and two fish—but what’s that for so many?”

10 Yeshua said, “Make the people recline.” There was much grass in the area. So the men reclined, about five thousand in number. 11 Then Yeshua picked up the loaves. And having given thanks, He distributed bread to everyone who was reclining. He did the same with the fish, as much as they wanted.

12 When the people were full, Yeshua said to His disciples, “Gather up the leftovers, so nothing is wasted.” 13 So they gathered them and filled twelve baskets with broken pieces from the five barley loaves, which were left over by those who had finished eating.

https://www.biblegateway.com/passage/?search=John+6%3A8-13&version=TLV

 

Matthew 8 : 1 – 4

Healing Those who Trust

8 When He came down from the mountain, large crowds followed Him. 2 And a man with tzara’at came to Him and bowed down before Him, saying, “Master, if You are willing, You can make me clean.”

Yeshua stretched out His hand and touched him, saying, “I am willing. Be cleansed.” Immediately his tzara’at was cleansed. 4 And Yeshua said to him, “See that you tell no one; but go show yourself to the kohen and offer the gift that Moses commanded, as a testimony to them.”[a]

https://www.biblegateway.com/passage/?search=Matt.+8%3A1-4&version=TLV

 

Luke 2 : 22 – 35

22 And when the days of their purification were fulfilled,[a] according to the Torah of Moses, they brought Him to Jerusalem to present to Adonai. 23 As it is written in the Torah of Adonai, “Every firstborn male that opens the womb shall be called holy to Adonai.” [b] 24 So they offered a sacrifice according to what was said in the Torah of Adonai: “a pair of turtle doves, or two young pigeons.”[c]

25 Now there was a man in Jerusalem whose name was Simeon, and this man was just and pious, waiting for the consolation of Israel.[d] The Ruach ha-Kodesh was on him. 26 And it had been revealed to him by the Ruach ha-Kodesh that he would not die before he had seen the Anointed One of Adonai. 27 So in the Ruach, Simeon came into the Temple; and when the parents brought the Child Yeshua to do for Him according to the custom of the Torah, 28 Simeon received Him into his arms and offered a bracha to God, saying,

29 “Now may You let Your servant go in peace, O Sovereign Master,[e]
according to Your word.
30 For my eyes have seen Your salvation,
31 which You have prepared
in the presence of all peoples:
32 ‘A light for revelation to the nations’[f]
and the glory of Your people Israel.”

https://www.biblegateway.com/passage/?search=Luke+2%3A22-35&version=TLV

Parashah in 60 seconds

Music Styles Christian Rock

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Styles

On this radio station you will find the following music styles;

excerpts and links to wikipedia

Christian Rock

Within EWCMI Online Radio we mark Christian rock is the form and styles of rock music that promotes Jesus and is typically performed by self-proclaimed Christian individuals and bands whose members focus the lyrics on matters of Christian faith.
The extent to which their lyrics are explicitly Christian varies between bands.

History

Christian response to early rock music (1950s–1960s)

Rock music was not viewed favorably by most traditional and older Christians when it became popular with young people from the 1950s, although early rock music was often influenced by country and gospel music.
Religious people in many regions of the United States did not want their children exposed to music with unruly, impassioned vocals, loud guitar riffs and jarring, hypnotic rhythms. Rock and roll differed from the norm, and thus it was seen as a threat.[1] Often the music was overtly sexual in nature, as in the case of Elvis Presley, who became controversial and massively popular partly for his suggestive stage antics and dancing.
However, Elvis was a religious person who even released a gospel album: Peace in the Valley.[2]

In the 1960s, rock music developed artistically, attained worldwide popularity and became associated with the radical counterculture, firmly alienating many Christians. In 1966 The Beatles, regarded as one of the most popular and influential rock bands of their era, ran into trouble with many of their American fans when John Lennon jokingly offered his opinion that Christianity was dying and that the Beatles were "more popular than Jesus now".[3][4]
The romantic, melodic rock songs of the band's early career had formerly been viewed as relatively inoffensive, but after the remark, churches nationwide organized Beatles record burnings and Lennon was forced to apologize.[5] Subsequently, the Beatles and most rock musicians experimented with a more complex, psychedelic style of music, that frequently used anti-establishment, drug related, or sexual lyrics, while The Rolling Stones sang "Sympathy for the Devil", a song openly written from the point of view of Satan.
This further increased the Christian opposition to rock music.

Countless new bands sprang up in the mid-to-late 1960s, as rock displaced older, smoother pop styles to become the dominant form of pop music, a position it would enjoy almost continuously until the end of the 20th century, when hip-hop finally eclipsed it in sales.

Roots (late 1960s–1980s)

Main article: Jesus music

Among the first bands that played Christian rock was The Crusaders, a Southern Californian garage rock band, whose November 1966 Tower Records album Make a Joyful Noise with Drums and Guitars is considered one of the first gospel rock releases,[6] or even "the first record of Christian rock",[7] and Mind Garage, "arguably the first band of its kind",[8] whose 1967 Electric Liturgy was recorded in 1969 at RCA's "Nashville Sound" studio.[9]

Larry Norman, often described as the "father of Christian rock music",[10] and in his later years "the Grandfather of Christian rock",[11] who, in 1969 recorded and released Upon This Rock, "the first commercially released Jesus rock album",[12] challenged a view held by some conservative Christians (predominantly fundamentalists) that rock music was anti-Christian. One of his songs, "Why Should the Devil Have All the Good Music?" summarized his attitude and his quest to pioneer Christian rock music.[13]
A cover version of Larry Norman's Rapture-themed "I Wish We'd All Been Ready" appears in the Evangelical Christian feature film A Thief in the Night and appeared on Cliff Richard's Christian album Small Corners along with "Why Should the Devil Have All the Good Music?".
Another Christian rock pioneer, Randy Stonehill, released his first album in 1971, the Larry Norman-produced Born Twice.[14][15] In the most common pressing of the album, side one is entirely a live performance.[16]

 
Randy Stonehill's Welcome to Paradise" (1976)

Christian rock was often viewed as a marginal part of the nascent Contemporary Christian Music (CCM) and contemporary gospel industry in the 1970s and '80s,[19] though Christian folk rock artists like Bruce Cockburn and rock fusion artists like Phil Keaggy had some cross-over success.
Petra and Resurrection Band, two of the bands who brought harder rock into the early CCM community, had their origins in the early to mid-1970s.
They reached their height in popularity in the late eighties alongside other Christian-identifying hard rock acts such as Stryper. The latter had videos played on MTV, one being "To Hell with the Devil", and even saw some airtime on mainstream radio stations with their hit song "Honestly".
Christian rock has proved less successful in the UK and Europe, although such artists as Bryn Haworth have found commercial success by combining blues and mainstream rock music with Christian themes.

1990s–present

The 1990s saw an explosion of Christian rock.

Many of the popular 1990s Christian bands were initially identified as "Christian alternative rock", including Jars of Clay, Audio Adrenaline and the later albums of dc Talk. Outside Anglophone countries, bands like Oficina G3 (Brazil) and The Kry (Quebec, Canada) have achieved moderate success. To date Delirious? has been one of the most successful bands from the UK.

 
Jars of Clay in concert, 2007.

By the late 1990s and early 2000s, the success of Christian-inspired acts like Skillet, Thousand Foot Krutch, Decyfer Down, Underoath, Kutless, Disciple and Relient K saw a shift toward mainstream exposure in the Christian rock scene.

Among popular Christian rock bands of the first decade of the 21st century that exemplified this trend were RED and Fireflight.

There are also some Roman Catholic bands such as Critical Mass. Some Eastern Orthodox Christian rock groups, mostly from Russia and the Soviet Union, started performing in the late 1980s and 1990s. Alisa[20] and Black Coffee[21] are credited as the most prominent examples. The Orthodox Christian lyrics of these bands often overlap with historical and patriotic songs about ancient Rus. Christian rock is on the rise in the Russian music underground in 2000s, and Orgia Pravednikov[22] is one of the most notable happenings.

The musical genre that was once rejected by mainstream Christian churches is now considered by some as one of the most-important recruitment tool of their successor congregations.
According to Terri McLean, author of New Harmonies, old-guard churches (United Methodist is given as an example) of the late 1990s were experiencing a rapid decline in membership and were under threat of disbandment within the next decade, a trend that has been going on since the 1980s.[23] McLean, using numerous quotes from theologians, Christian apologists and professors, goes on to offer contemporary Christian music as the reason for the falling popularity of more traditionalist churches.[24]

The definition of contemporary Christian, as offered by New Harmonies, is of a genre not far removed from traditional hymns; it is simply more accessible. The reality is that while a form of modernized hymns do exist in today's churches and do have an impact on church recruitment, there also exists both within and outside these churches a form of music (Christian rock) that has only one element in common with previous religious genres: its worship of God.

This element, the worship of God, is what was originally removed from or hidden within the lyrics of early, secular rock n' roll.
Santino described one method of changing Christian lyrics as a process that transformed “lyrics that sang of the mystical love of God into lyrics that celebrated the earthly love of woman”.[25]
Howard & Streck offer examples of this, comparing Ray Charles' “This Little Girl of Mine” to “This Little Light of Mine” and “Talking About You” to “Talking About Jesus”. They claim that because of actions such as this, despite the liberal editing of the original hymns, “gospel 'showed rock how to sing'”.[26] Howard & Streck go on to describe how the conflict between music and religion, spearheaded by southern fundamentalists, was originally racially based, but how in the sixties this moved on to a clash over the perceived lifestyle of rock musicians.[27]

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