Weekly Parashah |
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Torah: Lev. 12:1–13:59 | Haftara: 2 kings 4:42-5:19 | Brith Chadashah: John 6:8-13 Matt. 8:1-4 Luke 2:22-35 |
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Tazria (She Conceives) תַזְרִיעַ |
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Scripture: |
Lev. 12:1–13:59 |
Torah |
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Niddah Rest for New Mothers12 Then Adonai spoke to Moses saying: 2 “Speak to Bnei-Yisrael, instructing: If a woman conceives and bears a male child, then she will be unclean for seven days, as in the days of her niddah she will be unclean. 3 In the eighth day the flesh of his foreskin is to be circumcised. [a] 4 She must wait during the blood of purification for 33 days.[b] She is not to touch any holy thing, nor come into the Sanctuary, until the days of her purifying are completed. 5 But if she bears a female child, then she will be unclean for two weeks, as in her niddah, and she is to wait in the blood of purification for 66 days. 6 “When the days of her purification are completed for a son or for a daughter, she is to bring to the kohen, at the entrance of the Tent of Meeting, a year old lamb for a burnt offering and a young pigeon or a turtledove, for a sin offering. 7 He is to present it before Adonai and make atonement for her. Then she will be cleansed from the discharge of her blood. This is the Torah for her who gives birth, whether to a male or a female child. 8 If she cannot afford a lamb, then she is to bring two turtledoves or two young pigeons,[c] one for a burnt offering and the other for a sin offering. Then the kohen will make atonement for her, and she will be clean.”
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Scripture: |
2 Kings 4 : 42 – 5 : 19
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Haftarah |
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42 Now a man came from Baal-shalishah, and brought the man of God bread of the firstfruits—20 loaves of barley bread and fresh ears of corn in his sack. Then he said, “Give them to the people that they may eat.” 43 But his attendant said, “What? Will I set this before a hundred men?” But he said, “Give them to the people that they may eat, for thus says Adonai, ‘They will eat and will have left over.’” 44 So he set it before them, and they ate and had some left over, according to the word of Adonai. 5 Now Naaman, commander of the army of the king of Aram, was a great man in his master’s sight and highly esteemed, because through him Adonai had given victory to Aram. Though the man was a mighty man of valor, he had tza’arat. 2 Aram had gone out in bands, and had taken captive a young girl from the land of Israel. So she served Naaman’s wife. 3 Then she said to her mistress, “If only my lord went before the prophet who is in Samaria! Then he would cure him of his tza’arat.” 4 So Naaman went in and told his master, saying, “Thus and thus spoke the girl who is from the land of Israel.” 5 The king of Aram said, “Go now, and I will send a letter to the king of Israel.” So he departed and took with him ten talents of silver, 6,000 pieces of gold, and ten changes of clothes. 6 He brought the letter to the king of Israel saying, “When this letter comes to you, behold, I have sent my servant Naaman to you, so you may cure him of his tza’arat.” 7 Now when the king of Israel read the letter, he ripped his clothes and said, “Am I God, to kill and to make alive, that this man is sending to me to cure a man of his tza’arat? But please consider, and see how he is seeking a pretext against me.”
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Scripture: |
John 6:8-13 |
Brit Chadashah |
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John 6 : 8 – 138 One of His disciples, Andrew, Simon Peter’s brother, said to Him, 9 “There’s a boy here who has five barley loaves and two fish—but what’s that for so many?” 10 Yeshua said, “Make the people recline.” There was much grass in the area. So the men reclined, about five thousand in number. 11 Then Yeshua picked up the loaves. And having given thanks, He distributed bread to everyone who was reclining. He did the same with the fish, as much as they wanted. 12 When the people were full, Yeshua said to His disciples, “Gather up the leftovers, so nothing is wasted.” 13 So they gathered them and filled twelve baskets with broken pieces from the five barley loaves, which were left over by those who had finished eating. https://www.biblegateway.com/passage/?search=John+6%3A8-13&version=TLV
Matthew 8 : 1 – 4Healing Those who Trust8 When He came down from the mountain, large crowds followed Him. 2 And a man with tzara’at came to Him and bowed down before Him, saying, “Master, if You are willing, You can make me clean.” 3 Yeshua stretched out His hand and touched him, saying, “I am willing. Be cleansed.” Immediately his tzara’at was cleansed. 4 And Yeshua said to him, “See that you tell no one; but go show yourself to the kohen and offer the gift that Moses commanded, as a testimony to them.”[a] https://www.biblegateway.com/passage/?search=Matt.+8%3A1-4&version=TLV
Luke 2 : 22 – 3522 And when the days of their purification were fulfilled,[a] according to the Torah of Moses, they brought Him to Jerusalem to present to Adonai. 23 As it is written in the Torah of Adonai, “Every firstborn male that opens the womb shall be called holy to Adonai.” [b] 24 So they offered a sacrifice according to what was said in the Torah of Adonai: “a pair of turtle doves, or two young pigeons.”[c] 25 Now there was a man in Jerusalem whose name was Simeon, and this man was just and pious, waiting for the consolation of Israel.[d] The Ruach ha-Kodesh was on him. 26 And it had been revealed to him by the Ruach ha-Kodesh that he would not die before he had seen the Anointed One of Adonai. 27 So in the Ruach, Simeon came into the Temple; and when the parents brought the Child Yeshua to do for Him according to the custom of the Torah, 28 Simeon received Him into his arms and offered a bracha to God, saying, 29 “Now may You let Your servant go in peace, O Sovereign Master,[e] https://www.biblegateway.com/passage/?search=Luke+2%3A22-35&version=TLV |
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Parashah in 60 seconds |
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Music Styles Southern Gospel
Styles
On this radio station you will find the following music styles;
Southern Gospel
Southern gospel music is a genre of Christian music. Its name comes from its origins in the Southeastern United States whose lyrics are written to express either personal or a communal faith regarding biblical teachings and Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. Sometimes known as "quartet music" for its traditional "four men and a piano" set up, southern gospel has evolved over the years into a popular form of music across the United States and overseas, especially among baby boomers and those living in the Southern United States. Like other forms of music the creation, performance, significance, and even the definition of southern gospel varies according to culture and social context. It is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace.
Origins
The date of southern gospel's establishment as a distinct genre is generally considered to be 1910, the year the first professional quartet was formed for the purpose of selling songbooks for the James D. Vaughan Music Publishing Company in Lawrenceburg, Tennessee. Nonetheless the style of the music itself had existed for at least 35 years prior although the traditional wisdom that southern gospel music was "invented" in the 1870s by circuit preacher Everett Beverly is spurious. The existence of the genre prior to 1910 is evident in the work of Charles Davis Tillman (1861–1943), who popularized "The Old Time Religion", wrote "Life's Railway to Heaven" and published 22 songbooks.[1][2][3] Some of the genre's roots can be found in the publishing work and "normal schools" of Aldine S. Kieffer and Ephraim Ruebush. Southern gospel was promoted by traveling singing school teachers, quartets, and shape note music publishing companies such as the A. J. Showalter Company (1879) and the Stamps-Baxter Music and Printing Company. Over time, southern gospel came to be an eclectic musical form with groups singing traditional hymns, a capella (jazz-style singing with no instruments) songs, country, bluegrass, spirituals, and "convention songs". Because it grew out of the musical traditions of white musicians from the American South, the name Southern gospel was used to differentiate it from so-called black gospel.[4][5]
Early performers
Southern gospel is sometimes called "quartet music" by fans because of the originally all-male, tenor-lead-baritone-bass quartet make-up. Early quartets were typically either a cappella or accompanied only by piano or guitar, and in some cases a piano and banjo in areas that were influenced by bluegrass music such as Appalachia. Over time, full bands were added and even later, pre-recorded accompaniments (soundtracks) were introduced.
In the first decades of the twentieth century, southern gospel drew much of its creative energy from the holiness movement churches that arose throughout the south. Early gospel artists such as The Speer Family, The Stamps Quartet, The Blackwood Family, and The Lefevre Trio achieved wide popularity through their recordings and radio performances in the 1920s, 1930s, 1940s and 1950s. On October 20, 1927, The Stamps Quartet recorded its early hit "Give The World A Smile" for RCA Victor, which become the Quartet's theme song. The Stamps Quartet was heard on the radio throughout Texas and the South. A handful of groups were considered pioneers in southern gospel music for a series of "firsts." The Blackwood Brothers, with James Blackwood and J.D. Sumner became the first group to travel in a Bus, which is on display at the Southern Gospel Music Hall of Fame at Dollywood in Pigeon Forge, Tennessee. Sumner also was instrumental in creating the National Quartet Convention, an annual music festival where many groups, both known and well known perform for a week. The Speer Family was known for bringing blended groups to mainstream popularity where both Male and Female performers toured together.
1960's
The best known group of the 1950s and 1960s was Statesmen Quartet, which set the trend for broad appeal of the all male quartets that would develop years later. The Statesmen were known for their showmanship and introduction of Jazz, ragtime, and even some early rock and roll elements into their music and their stage appearance with trendy suits and wide audience appeal and were known for their signature song, "Happy Rhythm" (Rockin and a'Rollin).
Representative artists
From the start of the genre, the predominant type of artist has been the male quartet. Notable examples from the past and present include, The Blackwood Brothers, Brian Free and Assurance, The Cathedral Quartet, Christian Troubadours, Ernie Haase & Signature Sound, The Florida Boys, The Gaither Vocal Band, Gold City, The Inspirations, Jake Hess and the Imperials, The Kingdom Heirs Quartet, The Kingsmen Quartet, Legacy Five, The Oak Ridge Boys, The Stamps Quartet, The Statesmen Quartet, and the Plainsmen Quartet.Notable artists
J.D. Sumner and The Stamps toured with Elvis Presley, who originally wanted to be a Gospel singer despite trying out for numerous groups and never receiving an offer to join. Sumner and Presley met when Elvis was 14 years old and the two forged a strong relationship. Sumner sang at Presley's funeral and debunked many myths about Presley's alleged substance abuse and also credited Elvis for saving his life when Presley confronted Sumner about his alcoholism. Sumner held the world record for the lowest bass note ever hit for a human being until 2002, four years after his death.
The Cathedrals were perhaps the most successful quartet of the 1980s and 1990s. The group had massive appeal and recorded their 1987 album Symphony of Praise with the London Philharmonic Orchestra and also made numerous appearances NBC's The Today Show. After the deaths of frontmen George Younce and Glenn Payne, the Cathedrals spawned off two current groups that are immensely popular, The Legacy Five and Ernie Haase and Signature Sound.
Several secular artists have expressed their love for and influence of the genre by recording southern gospel albums or performing gospel songs in concert. Among them are Johnny Cash, Patsy Cline, Bob Dylan, Larry Gatlin, Alan Jackson, Kentucky Thunder, Jerry Lee Lewis, Loretta Lynn, Willie Nelson, The Oak Ridge Boys, Brad Paisley, Dolly Parton, Carl Perkins, Elvis Presley, Ricky Skaggs, The Statler Brothers, and Travis Tritt.
Today's southern gospel
By the 1990s, the "old-timey" quartet-style music began to develop to include more soloists and duos. Although still mostly popular in the Southeast and Southwest, it has a nationwide and even an international audience. The music remains "more country than city, more down-home than pretentious".[6]
Over the last decade, a newer version of southern gospel has grown in popularity. This style is called progressive southern gospel and is characterized by a blend of traditional southern gospel, bluegrass, modern country, contemporary Christian and pop music elements. Progressive southern gospel generally features artists who push their voices to produce a sound with an edge to it. The traditional style southern gospel singers employ a more classical singing style.
Lyrically, most progressive southern gospel songs are patterned after traditional southern gospel in that they maintain a clear evangelistic and/or testimonial slant. Southern gospel purists view lyrical content and the underlying musical style as the key determining factors for applying the southern gospel label to a song.
Although there are some exceptions, most southern gospel songs would not be classified as Praise and Worship. Few southern gospel songs are sung "to" God as opposed to "about" God.